{"version":"1.0","provider_name":"eloriente.net","provider_url":"http:\/\/www.eloriente.net\/home","author_name":"C\u00e9sar","author_url":"http:\/\/www.eloriente.net\/home\/author\/cesar\/","title":"En l\u00ednea, largometrajes de ficci\u00f3n silentes mexicanos: UNAM - eloriente.net","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"CUV8qCBvQU\"><a href=\"http:\/\/www.eloriente.net\/home\/2014\/07\/01\/en-linea-largometrajes-de-ficcion-silentes-mexicanos-unam\/\">En l\u00ednea, largometrajes de ficci\u00f3n silentes mexicanos: UNAM<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"http:\/\/www.eloriente.net\/home\/2014\/07\/01\/en-linea-largometrajes-de-ficcion-silentes-mexicanos-unam\/embed\/#?secret=CUV8qCBvQU\" width=\"600\" height=\"338\" title=\"\u00abEn l\u00ednea, largometrajes de ficci\u00f3n silentes mexicanos: UNAM\u00bb \u2014 eloriente.net\" data-secret=\"CUV8qCBvQU\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"http:\/\/www.eloriente.net\/home\/wp-content\/uploads\/2014\/07\/El-puno-de-hierro.jpg","thumbnail_width":"960","thumbnail_height":"533","description":"eloriente.net\/UNAM 1\/julio\/2014 Las cintas ya est\u00e1n disponibles en la p\u00e1gina Cine en l\u00ednea, que da acceso libre y gratuito al acervo en posesi\u00f3n de la UNAM, destac\u00f3 Guadalupe Ferrer Andrade, titular de la Direcci\u00f3n General de Actividades Cinematogr\u00e1ficas Las cintas Tepeyac (1917), El tren fantasma (1926)\u00a0y\u00a0El pu\u00f1o de hierro(1927)\u00a0son los \u00fanicos largometrajes de ficci\u00f3n silentes [&hellip;]"}